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Secrets Of Alchemy Secret Workshop VideoAlchemy on the Cutting Edge (2014) - Lawrence M. Principe The Secrets of Alchemy also shows how the frustratingly obscure secret language of code and metaphor routinely used by alchemists to hide their knowledge (and hopes) can be deciphered—sometimes into impressive feats of chemical experimentalism—and even replicated in a modern laboratory. The text is written for anyone interested in the story of alchemy and its remarkable practitioners and ideas. The Secrets of Alchemy traces the genealogy of alchemical practices from their early Greco-Egyptian foundations through early modern chymistry, pausing along the way to reflect on the reinterpretation and refashioning of alchemy from the eighteenth century to the present. Principe’s pages reveal histories of alchemy that are wonderfully rich and diverse, and we meet them in laboratories, recipes, images, dramatic plays, and poems.”. The Secrets of Alchemy is an eminently lucid treatment of a tenebrous subject, at once learned and reader-friendly, and enormously winning.” -- John Crowley, author of Little, Big “The book’s greatest accomplishment is its depiction of the values and assumptions that formed the alchemical worldview, and how they preceded, coexisted with, and led to a structured scientific methodology. In this visually compelling and thought-provoking documentary, author, scholar and modern-day Indiana Jones, Jay Weidner uncovers some of the deepest secrets of the ancient western tradition of Alchemy - the knowledge of the fatal season of the apocalypse, the end of time and the great and imminent transformation of humanity. Secrets of Alchemy Slots Secret Workshop. Now you've discovered the formula, you're desperate to hide your secret from other would-be alchemists, Weighing-In Your Gold. The moment you have turned any of the items you find into gold, you'll be able to weigh them in Secret Stakes. Alchemy may. Star: Jay Weidner. We are well familiar with the use of science and technology for national security; in the case of John and Roger, we find a medieval precedent that includes alchemy as a means of ecclesiastical security. Charles Monroe-Kane : You write in your book that Secrets Of Alchemy you're saying is a logical consequence. Their researches and goals had both commercial and scientific aspects, as well Paysafecard Pin philosophical and theological ones. Barilla Spaghetti No 5 that then burn it so that it Internet Casinos this powder, and this powder is supposed to be able to make things gold. Charles Monroe-Kane : Just let's hear them. There's a lot of symbolism attached to it, right? No one did more to usher in the scientific revolution than Isaac Newton, the mathematician, physicist and astronomer, the man who gave us Newton's laws of motion, Newton's laws of universal Werder Card Guthaben Abfragen, Newtonian fluids. The king was like, "Dope. I mean, I thought you were going to say you're a step closer to God. Charles Monroe-Kane : Making math is like I think people are like, "How do they start?
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It's valuable in I mean, knowledge has different statuses, right? We have a particularly pretty much instrumental view to the way that natural knowledge is pursued today.
People want to do something with it. They want to make natural materials, but they also want to understand the universe. There are simply different understandings of the universe.
I'll just say that, I think that realizing those different understandings and not putting them on a hierarchy from primitive to modern is very important.
Because if you think about something like sustainability, the world view that saw humans as a part of nature and not a master of nature, the worldview that saw humans as a part of nature might have led to a different attitude to nature that would not have landed us in this crisis.
Now as a historian, you can't say what if. There's not much value to that. But still to be aware that different ways of understanding the universe might have value, I think is important.
Is there any practical value to recreating older alchemical experiments? Has anybody who's done this discovered anything that might actually be useful today?
There was a literature professor at the University of Nottingham who wanted to try out a panacea, so something that was supposed to cure everything, and he worked with a biology lab and they tried it out on various bacteria and they found that it actually had an effect against MRSA, the very persistent bacteria that penicillin-.
But there's an example of something that was potentially extremely interesting to scientists, to medical researchers. Pamela Smith teaches history of science at Columbia University, where she runs the Making and Knowing project.
If you want to try out one of those recipes yourself, you can explore the lab's new digital edition of a s manuscript, Secrets of Craft and Nature.
The links on our website at ttbook. What do you listen to while brewing up a potion or two? Alchemical music, of course.
They were published in in a book called Atalanta Fugiens. It's full of alchemical symbols and incantations, and we don't know exactly what they were all for, but it's fair to speculate that this was music to be sung or performed maybe even at critical moments during the alchemical practice.
To hear all 50 fugues, just go to our website at ttbook. Next Isaac Newton and the alchemical roots of the scientific revolution. It's To The Best Of Our Knowledge from Wisconsin Public Radio and PRX.
No one did more to usher in the scientific revolution than Isaac Newton, the mathematician, physicist and astronomer, the man who gave us Newton's laws of motion, Newton's laws of universal gravitation, Newtonian fluids.
But Newton was also an alchemist. He spent half his life pursuing the philosopher's stone, and he kept his observations in secret coded notebooks and manuscripts.
As the economist, John Maynard Keynes, said when he bought them at auction, Newton was not the first of the age of reason.
He was the last of the magicians. Well science historian, William Newman, has now decoded and even reproduced some of those experiments, and he's written the definitive book on the subject, Newton, The Alchemist.
Steve Paulson has been reading it. Steve Paulson :. There are a couple of things you have to know about alchemy in the 17th century.
First, it was the chemistry of its day, or as historians now call it chymistry, spelled C-H-Y. This emerging science seem to have the amazing capacity to transform matter itself.
So potentially you could change one substance into anything else. The other thing, practicing alchemy was dangerous, especially if word got out that you were good at it.
William Newman :. There are lots of stories about how alchemists were locked up by vindictive rulers who wanted to extract their secrets and wouldn't hesitate to use torture, for example.
Some of these stories are actually true. For example, there was an Alchemist in the early 18th century named Johann Friedrich Bottger who was locked up by a Saxon ruler named Algos the Strong, and actually Algos managed to turn him away from his transmutational efforts so that he invented porcelain.
That's actually the origin of the Meissen porcelain industry in Germany. It goes back to this man, Bottger, an alchemist.
There were also alchemical charlatans who were playing the noble courts of Europe in the 16th and 17th century for all they were worth.
If they were exposed as frauds, they would typically be executed and often in quite nasty ways.
That's an interesting question. Like most these questions, things can get complicated and nuanced. But to Newton, at least, alchemy and magic were distinct.
I think in his mind magic was associated mostly with demonic magic. There is yet another feature though, and that comes out in a letter that he wrote to Henry Oldenburg in , who was the secretary of the Royal Society.
In it Newton is very concerned about the fact that Robert Boyle, who by the way is sometimes called the father of modern chemistry, who was a devoted Alchemist himself, Newton is concerned about the fact that Boyle has revealed too much about a so-called sophic mercury, a kind of initial ingredient of the philosopher's stone.
So Newton tells Oldenburg that he would like to commend the Boyle to high silence. He's really worried that word will get out.
He's worried that scientific secrets of a really radical sort are going to be loosed upon the world, and as a result, tremendous damage could occur.
They even have descriptions of it. It was typically thought to be a ruby red material that was fusible in the heat, and you added it to a molten metal and it would instantaneously transmute it into gold or in some cases silver.
Many people also thought that it was a panacea. It could also cure the human body of any sort of illness. Today, most of us know the philosopher's stone as a plot point in the first Harry Potter movie, but it wasn't a fairy tale to Newton.
He was obsessed with trying to uncover the laws of nature, secrets maybe even deeper than the laws of physics.
Alchemy was science back then. Newton run experiments in his lab and kept reams of notebooks. In fact, he wrote approximately a million words on alchemy over his life.
For example, he refers to something that he calls the Green Lion in his experimental notebooks. Nobody's been able to figure out exactly what that meant to him.
He talks about, for example, the two serpents. He also talks about something he calls [Sofic Salamuniac ].
But what are these things? So it's hard to figure out what exactly Newton was doing, but his experiments involved mixing and boiling various metals and ores and dipping them into acids, basically breaking down these substances in order to transform them.
Newton was trying to create more and more volatile compounds. He was trying to replicate processes that he believed to be taking place under the surface of the earth.
So he had a theory that metals are being generated within the earth, always. The earth, according to Newton, is a living being.
He calls it a sort of cosmic vegetable, right? This is what Newton thinks is happening within the earth, and it involves heating up materials, vaporizing them.
That's really important for understanding what he's trying to do in the laboratory, because he's interested in replicating what's going on beneath the surface of the earth.
This work in the lab could be dangerous. In fact, Newman has reproduced a number of Newton's experiments at some personal risk. This is actually a rather exciting process.
You get a quite vigorous reaction of what a lot of boiling and given off, and also yeah quite poisonous red fumes of nitrogen dioxide.
The first time I did this, I got some boiling over of the solution. I've always been very careful to do it under a fume hood because I knew that it was likely to release this poisonous gas.
But anyway, that's exciting all the same. I've done it many times and you just have to be careful and control the situation. So you have to remember Newton was doing all of this in secret.
It was very different from his work in physics and optics, which he did want the world to know about. Alchemists on the other hand, had their own private networks and back channels while communicating with each other.
They certainly presented themselves as a sort of a secret club. The term adept was used for someone who had actually attained the philosopher's stone, who actually reached the limits of the alchemical enterprise.
They were considered to be a kind of super human in a way, not only for the fact that they had actually, according to the stories, arrived at the philosopher's stone, but also for their ability to conceal their knowledge while also revealing it to those who were worthy to have it.
They were considered to be the chosen sons of God. I mean, this was a term that was actually used. But it raises the question of whether Newton regarded himself as some kind of mystic, maybe not in the modern religious sense, but as if he had access to or wanted to have access to secret knowledge in the gnostic sense.
I think in that old sense of mysticism, yes. The sense that alchemy was a form of secret knowledge that had to be imparted by word of mouth or else had to be intuited by someone who had special abilities, special cognitive powers.
Newton never did find the philosopher's stone. Though he did create a number of new metallic compounds, some of which have never been reproduced to this day.
There's one more thing about Isaac Newton, he had the right temperament to be an alchemist. By all accounts he was obsessive, arrogant and generally not a nice person to be around.
Probably one of the least nice people to be around. Yeah, Newton, he was a loner. When you got close to him, it was dangerous because he can turn on you.
I think perhaps some of Newton's personality traits can be explained if you think of him as somebody who was trying to become an adept, an alchemical master, because the adepts were themselves the ultimate loners, because anyone you trusted might reveal that you have the knowledge of the philosopher's stone, then you'd wind up strangled in your bed because somebody would have wanted to steal it.
You get the sense that given Newton's personality didn't like a lot of people, that actually that fit pretty well with a life in alchemy because you had to be very quiet and secretive about it.
That's William Newman, talking with Steve Paulson. Newman is a historian of science at Indiana University and author of Newton the Alchemist.
If you were an alchemist in the 16th century, the place to be was Prague and the court of Emperor Rudolf the Second, the most famous occult adepts in Europe flocked there.
John D. Alchemy left its Mark on Prague, and also on our producer, Charles Monroe-Kane who lived there as a young man.
He says the Czechs are still uncovering alchemicals secrets. Be sure to stay tuned for the upcoming episodes, some of which you will be able to share and earn.
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Notify of. Inline Feedbacks. All products. Cell Salts. Top Products. We asked him to give our readers a taste of his new work, which is aimed at anyone with an interest in the story of chemistry.
Alchemy is full of secrets. Nevertheless, over the past generation scholars have been revealing more and more of its surprising content and importance.
No longer is it dismissed as a waste of time or a fool's quest. Alchemy is now increasingly recognized as a fundamental part of the heritage of chemistry, of continuing human attempts to explore, control, and make use of the natural world.
Alchemists developed practical knowledge about matter as well as sophisticated theories about its hidden nature and transformations. But at the same time, they contributed to mining and metallurgy, and pharmacy and medicine, and their achievements and aspirations as well as failures inspired artists, playwrights, and poets.
Their researches and goals had both commercial and scientific aspects, as well as philosophical and theological ones.
Many alchemists expressed often just implicitly a strong confidence in the power of human beings to imitate and improve on nature, and their work included the exploration of the relationship of human beings to God and the created universe.
The work of historians of science continues to reveal the enormous complexity and diversity of alchemy, its important position in human history and culture, and its continuities with what we now call chemistry.
Much of this new understanding remains little known outside of a small circle of academic specialists.
But the subject of alchemy remains evocative and alluring for a broad array of people; I have met many who would genuinely like to know more about it.
Unfortunately, the resources currently available are rather slim. The readily available general histories of alchemy in English are all over 50 years old, and while they were excellent resources in their day, they now need updating.
My goal in writing The Secrets of Alchemy was to bring the results of recent academic work to a broader public. The book surveys the history of alchemy from its origins in late antiquity to the present day.
The Secrets of Alchemy also shows how the frustratingly obscure secret language of code and metaphor routinely used by alchemists to hide their knowledge and hopes can be deciphered—sometimes into impressive feats of chemical experimentalism—and even replicated in a modern laboratory.
The text is written for anyone interested in the story of alchemy and its remarkable practitioners and ideas. No treatment of alchemy can be exhaustive.
It was too diverse a phenomenon, too widespread geographically, socially, and chronologically. The following excerpts provide glimpses of three alchemical practitioners who carried out their researches in widely different periods and cultures, and often for widely different purposes.
In the cosmopolitan crossroads of Greco-Roman Egypt, the two streams of craft traditions and philosophical traditions coexisted. Their merger—probably in the third century AD—gave rise to the independent discipline of alchemy.
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